Showing posts with label Joseph Ungoco. Show all posts
Showing posts with label Joseph Ungoco. Show all posts

Wednesday, May 26, 2010

Gaultier Bronzing Powder: Eat Your Heart Out, George Hamilton!

This year, April showers have only brought May showers and the pre-summer base-tanning season is off to a very sluggish start. If you like a healthy glow by Memorial Day, then you may have to resort to some alternative methods like tanning beds or Brazilian spray tans. If you’re like me, you’re schedule and your fear of harmful UV exposure may not allow you to indulge in such luxuries. Luckily, I have a safe and easy way to cheat your tan.

Jean Paul Gaultier Monsieur’s Bronzing Powder provides the perfect shade of bronzy tan that works equally well on people whose complexions have rosy and golden undertones. This matte finish powder imparts the perfect glow when applied lightly or a deep, dark tan that would turn George Hamilton’s head when applied more heavily. The small square flip-top compact fits easily into the cigarette pocket of your favorite blazer or dinner jacket. Get your tan on and knock ‘em dead!

Monday, May 24, 2010

MILITARY HELMET BAG: Joseph Ungoco enlists

On my recent travels through the South’s major airport hubs, I have been delighted to make the acquaintance of numerous men and women serving in the US armed forces. While the dress uniforms of the various branches are instantly recognizable by most of us, the “new” camo is slight more confusing. Each branch of service – Army, Air Force, Navy, Marines – has its own versions and each version comes in both regular and “digital” versions, meant to disappear on digital media.

My personal obsession is the Army digital camo in the “three color desert” palette and, of late, my constant companion is my Army surplus helmet bag.

This oversize tote features short handles, an adjustable shoulder strap and backpack straps that can be tucked in and hidden for a sleek appearance. You can also customize yours with name tapes that you can order online. Mine features the regulation last name tape and one with my Secret Service Code Name!

Tuesday, March 30, 2010

Eyewear exhibit: Joseph Ungoco sees all

A long time ago, before Giuliani cleaned up New York City, my overprotective friends would advise me on how to “look like a New Yorker” – and not a mugging victim. One sage piece of advice that they gave me was to “walk with purpose.” Regardless of whether I was walking straight into a brick wall, I must always remember to stride confidently and purposefully.

Ten years later, I consider myself a “New Yorker” and nothing pleases me more than to stop dead in my tracks – exactly like the tourist I always feared I would appear to be – and admire what the city has to offer. On one recent afternoon, in Grand Central Station, arguably one of the busiest pedestrian venues in the city, I did just that. In Vanderbilt Hall, which to most people who use the station is just a blur on the way to the street and the never ending flood of humanity that is sidewalk traffic, I relished a few stolen moments away from being glued to my Blackberry.

What had caught my eye and captured my attention was a magnificent exhibit of eyewear. The Italian Trade Commission and the Italian Optical Goods Manufacturer’s Association had installed a brilliantly curated – by Alessandra Albarello - a selection of eyewear perfectly illustrating the title of the exhibit: “Eyewear from the Beginning to the Future: The History of Eyeglasses from the Invention in Italy to the Latest Trends.”

In just a few loops around the exhibit cases, I felt like I had taken a fantastic journey through the history of eyewear. The installation itself was designed by award-winning Italian Architect Giorgio Borruso and resembled the scaled down city models one might see in the Museum of New York.

Instead of building steel and glass cases to mimic our cities instantly recognizable skyline, Borruso created a design that acted “as a metaphor for the modern eyewear and the subways, roads, paths, and histories that fracture, connect and reveal the spaces we inhabit.” The overall effect was one of visiting a miniature village with the inhabitants being the chicest and most interesting examples of eyewear.

From the spectacles from the 18th century in horn, tortoise and precious metals to the finest examples of today’s designs in acetate and metallic alloys, the exhibit covered every important stage in the history of eyewear and while being respectful of the past, glorifies the present and the future.

Italy has played a major role in the development of eyewear and continues to be a driving force. By developing new technologies in manufacturing and introducing new and exciting materials, the Italian Optical Goods Manufacturer’s Association keeps Italy on the forefront of both design and manufacture and ensures an endless supply of high quality goods for an insatiable group of consumers. For more on the exhibit, see this AP-TV video.

There may not be many roses around for New Yorkers to “stop and smell,” but there are always interesting and educational experiences in which we can immerse ourselves, even if only for a few moments between Blackberry appointment reminders. The next time you find yourself rushing from place to place, “stop and see.” You never know what visual and interactive delights you will encounter.

Friday, March 26, 2010

Fashion After Dark: New York Scene

Joseph Ungoco dishes the dirt on the latest fashion haunts

Some astrological signs tend toward certain career paths and industries. Just as you find a surplus of Scorpios working in the porn industry, you find a plethora of Pisces in creative fields — and fashion is no exception. Thus, each year in March after the European shows, fashion folk find themselves inundated with invitations to birthday celebrations. With all of us constantly going to the latest hot spots and locations — many not yet open to the public — how does one decide where to celebrate one’s birthday? This year, I decided to host a number of small events with close friends, rather than throw one large party and so I decided locations based on geography.

Since I live downtown, I started at home with a few fellow United Editors with tea and homemade chocolate cake. Thank you Martha Stewart for the great recipe in your April issue! I then proceeded to my overflow living room, the newly opened Andaz Wall Street Hotel. Bar Seven Five – like the street address, 75 Wall Street – is the perfect cozy gathering place for a small group of friends. The custom designed cocktail menu includes personal favorites of mine like the Manhattan which features homemade bitters – in case you were worried about the current worldwide shortage of Angostura Bitters – and is presented with a bit of theatricality. The flaming orange zest is the perfect spark to set off scintillating conversation! The décor here is cool and modern and the undulating white glass and travertine staircase will have you inventing reasons to exit and reenter the bar.

After a few rounds of cocktails, I went uptown to west Chelsea’s Gallery District to meet a few friends for dinner at Juliet Supper Club, Todd English’s latest restaurant. The semi-circular banquettes and round tables have the feeling of a Las Vegas lounge in the 1960s, but the color scheme and décor are purely today - if you live on the Mediterranean! The cuisine is light and perfect for late night suppers as most diners arrive after 10 pm, in the Continental fashion. As the night goes on, the fashionable folk pour in and lounge the night away!

If you’re wondering which birthday it was, I’ll leave you with the maxim that “there are only two ages that people in fashion will ‘admit to’: 29 and 41”. Decide for yourself which one best fits the evening’s itinerary!

Text: Joseph Ungoco

Saturday, February 27, 2010

NY FALL 2010 Day 1: Toni Maticevski

TONI MATICEVSKI: A new take on beauty
By Joseph Ungoco for RunwayResource.net

Toni Maticevski amped up the fashion drama with a deconstructed, photo shoot set and elegant orchestral soundtrack for his runway show at the Altman Building. With the fashion press still reeling from the news of Alexander McQueen’s death, the assembled crowd was reminded that as in life, the show goes on.

The show opened with gossamer sunray pleated silk tulle gowns that seemed to float, suspended in a one-of-a-kind fashion moment. To the soaring strains of the theme from Gattaca, we were treated to visual proof of new life in the world of fashion. Just as that movie celebrated the shrugging off of society's limitations, so Toni M. throws convention to the proverbial wind and presents a unique aesthetic. From the softly draped blouses to the deconstructed full skirts in tulle, the entire collection was overflowing with exuberance for a new sensibility regarding beauty.


NY FALL 2010: Christian Siriano

Christian Siriano: Comes up trumps
By Joseph Ungoco for RunwayResource.net

Despite the usual circus-like check in for which the runway shows of all Project Runway alumni are known, the atmosphere once inside the tent was fairly reserved. The high intensity bubblegum pop soundtrack kept the mood lively.

A hush of anticipation fell over the crowd as the lights dimmed signaling the opening of the show. The first look was signature Siriano, a leath asymmetrically zipped biker jacket with an oversized peplum. Significantly less costume-y than previous seasons, the looks that followed seemed quite wearable.

Flounce ruffles and volume still play a major role in Siriano's collection. Surprisingly, his take on the leg of mutton and bishop sleeves we've seen in other collections for the past two seasons was lean, fresh, and downright edgy. Perhaps it was his excellent choice and blending of textiles and textures.

The color palette moved seamlessly from gray through black to a toned down royal blue. Fuchsia was the one foray into really strong color and voluminous draping, but two seasons after Lanvin, these blooms felt less than fresh. Overall however, Siriano cemented his place in fashion as more than a personality, a talented designer in his own right.






NY FALL 2010: Lacoste

Lacoste: Laser precision
By Joseph Ungoco for RunwayResource.net


Lacoste, the French lifestyle brand long known for its triple wide runways and armies of models, narrowed the visual focus and opted for a raised single runway in lemon yellow. The LCD crocodile at the head of the runway cycled through the rainbow of colors presented in the collection.

Creative director, Christophe Lemaire, started with a '30s moment in shades of light heather grey. Oversized car coats with loose boxy shoulders brought us back to the start of the car age. What followed were multicolored confetti knits and chic sophisticated color blocking in green red yellow and black. The asymmetrical cloche worn opposite a low side ponytail gave us flapper, with just a hint Amelia Earhart.




NY FALL 2010: Hisham Oulmlil

HISHAM OUMLIL: Bonded
By Joseph Ungoco for RunwayResource.net

Following the well known maxim to "zig" when they expect you to "zag", Hisham Oumlil took his collection in a whole new direction. For Fall/Winter 2010, Oumlil transported his customer on a journey through the varied "Shades of Man". Loyal fans and longtime supporters alike were delighted to see new fabrics and textures applied to his unmistakable signature tailoring.

Oumlil applied quilting in a totally modern way. His horizontal channel quilting lent volume and visual interest to already well fitted silhouettes. My fellow editors and myself, were mad for his diamond quilted taffeta, both as an accent on a lapel of a brocade jacket and as a full look in an evening jacket.

Fashion Group's Rising Star for 2008 he has risen to new heights and in doing so, will undoubtedly bring his label into a broader level of consumer awareness. To the sounds of the James Bond theme, Oumlil showed us the man many of us want to be and some of us love to hate. Either way, he gave us an amazing collection of pieces that can elevate any man's wardrobe.


NY FALL 2010: Ports 1961

PORTS: Flying high
By Joseph Ungoco for RunwayResource.net

As we filed into the Ports 1961 show, we were met with massive graphics of pistons and machinery arching over the U-shaped runway. The show began with a moment of silence for fashion's lost son then fog began to pour out of the doors to backstage. Some of us were feeling the Machine Age vibe and wondering if this staple of the “Ladies who Lunch” set might have gone Rosie the Riveter Workwear on us.

What ensued however, was sheer delight. Designer Tia Ciabani gave us an Amelia Earhardt moment. From the supple gloves to her modern take on the aviator hat, she took us through what a modern woman wears to conquer the air in an open biplane — as well as the city streets!

The muted color palette was rich in deep hues and sprinkled through with prints in luxurious fabrics. The heavy guage slubbed knits were paired with leathers in an utterly fresh take on the Ports aesthetic.


NY FALL 2010: Duckie Brown

Duckie Brown: Delightfully Yours
By Joseph Ungoco for RunwayResource.net

Right when the fashion elite were starting to get into the groove of Mercedes-Benz Fashion Week, the regulars were literally stunned into silence over the news of Alexander McQueen's death. But before sadness could really settle in, the duo behind Duckie Brown sent out a stream of delightfully “mad-for-plaid” outfits that brought back happy memories of McQueen's own Royal Stewart tartan confections.

The maxi-cuffed, knicker-length trousers were just cheeky enough to bring us all back to the business at hand. Solid pops of color like fire engine red and acid yellow were the perfect compliment to the somber tones of black watch plaid. The "bruised" tweed had the textile obsessed drooling. The exotic texture and ultra-masculine color palette of this unique fabric appeared in several, very wearable combinations. Hats, gloves and shoes aren’t just for ladies who lunch anymore. Duckie Brown boys wouldn't be caught dead without them!